An exhibition project by Alexander Adamov
hyperMOTHER.
Shared Breathing
hyperMOTHER is an artistic project dedicated to addressing contemporary existential fatigue. We create functional environments, such as the Shared Breathing branch, that employ seamless biometric sensing and algorithmic synchronization to foster collective states of calm, regulation, and care.
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About project
hyperMOTHER. Shared Breathing is a total installation about care as a living infrastructure. The sanatorium becomes the institutional embodiment of the hyperMOTHER concept, understood as an atmospheric form of power that governs through care. The project transforms the museum into the foyer of a sanatorium dedicated to the practice of Shared Breathing.
From the Sanatorium Manifesto:
Developed in collaboration with leading centers for predictive analytics and big data processing, and integrating years of expertise in alternative medicine, the Shared Breathing program is the world’s first comprehensive calibration protocol designed to address existential fatigue directly.

Unlike conventional approaches that require your active participation, our mission is to safeguard your peace of mind through the complete delegation of autonomy. We concentrate our computational capacity on three scientifically grounded components of a managed environment: sensory de-initiation, the automation of care, and synchronized co-breathing.
The development of the hyperMOTHER concept as an atmospheric form of power began last year. At the end of 2025, the project was presented for the first time at the Szczur Gallery in Poznań, where a total installation was created, referencing child-friendly forensic interview rooms.
Exhibition documentation
Alexander Adamau
Artist
b. 1996, Belarus
Lives and works in Warsaw.

Alexander Adamov is a Belarusian artist working with installation, sculpture, and spatial dramaturgy. His practice explores the infrastructures of care and surveillance.
More about Alexander Adamov’s practice
Why It Matters Today
We are objectively exhausted and in need of reassurance, yet it is precisely this sincere comfort that becomes a new infrastructure of power. The sanatorium reveals the ambivalence of this environment: therapy gradually transforms into algorithmic calibration, where, with immense relief — and entirely voluntarily — we dissolve our own autonomy.
  • Research into Comfort as a New Infrastructure of Power
    The project explores the ambivalence of contemporary practices of care, revealing how a sincere desire for reassurance and relief can become a mechanism of soft control and regulation.
  • A Critique of the Voluntary Loss of Autonomy
    The project examines the process through which therapy gradually transforms into “algorithmic calibration,” where individuals, with a sense of relief and complete willingness, dissolve their autonomy within the system.
  • Addressing Social Fatigue
    The project responds to the urgent need for new approaches to contemporary forms of global stress and widespread existential fatigue, exploring alternative models of care, collective regulation, and emotional support.
Free Belarus Muzeum
about place
One of the leading Belarusian cultural institutions outside Belarus. The museum operates in the center of Warsaw and presents Belarusian artists to an international audience.

ul. Foksal 11, Warsaw
WGW+
The hyperMOTHER project as part of
the official programme
  • Warsaw Gallery Weekend (web)
    The largest contemporary art event in Eastern Europe.
    • Held annually
    • Leading galleries and institutions in Warsaw
    • International audience
    • Collectors, curators, journalists, patrons
    • Tens of thousands of visitors
Audience & Partnership Potential
The project's audience comprises individuals interested in contemporary art and social phenomena, with communication conducted in Belarusian, Polish, and English.
  • Art Ecosystem
    Ages 25–65
    Curators, collectors, galleries, critics, artists, and art journalists.
  • Warsaw Cultural Audience
    Ages 20–45
    Students, young professionals, creative industries, media, design, and education sectors.
  • Belarusian Community in Europe
    Ages 25–55
    Diaspora, cultural managers, NGOs, IT and business professionals, and individuals with long-standing ties to Belarus.
  • Business, Technology & Care
    Ages 30–60
    Founders, HR/CSR/ESG professionals, the wellbeing and health sectors, private patrons, and community partners.
Exhibition space visualization
Partnership Tiers
We discuss specific participation methods and branding options within the art space individually with each partner to find the optimal, integrated solution.
Visibility Partner
€3,000
Presence in the project's digital communication and your logo on the exhibition's informational materials. Access to the exclusive private VIP opening for your company's representatives, plus professional photo and video assets of the project for your social media channels.
Production Partner
€7000
Enhanced visibility: logo placement in key areas of the art space and brand mentions across all press releases and media campaigns (BY/PL/EN). The package includes the opportunity to co-host a private VIP evening exclusively for your guests (up to 40 people) featuring networking and a personal lecture by the artist.
General Partner
€10000
Exclusive Title "Sanatorium Investor"
Your brand becomes not just a sponsor, but an organic part of the art space and a co-creator of a new infrastructure of care. A private VIP evening within the installation space, organized specifically for your guests, clients, or partners (up to 40 people). Includes a personal guided tour by the artist with an immersive dive into the project's philosophy.
Why Join Now
Partner support is critical at this exact moment
  • Team assembled
  • Venue confirmed
  • Project included in the WGW+ program
  • Concept developed
  • Production beginning in the coming months
Alexander Adamau
artist
adamau.eu
Natallia Zadzierkoŭskaja
Director of the Free Museum Belarus
freebelarusmuseum@gmail.com
Lisa Mas
Project Coordinator
l.maslyonchenko@gmail.com